Western Australia
Western Australia developed its doof tradition largely independently of the east-coast scenes. The geographic isolation of Perth - further from Sydney than London is from Moscow - meant that the information, music, and personnel flows that connected the NSW and Victorian scenes in real time reached WA with a delay of one to three years in the 1990s, producing a scene that was aware of its east-coast equivalents but had developed distinct local characteristics by the time formal contact was established.
The Fremantle variant
The term Fremantle variant is used in the archive's community documentation to describe the specific sonic and organisational character of early Perth and Fremantle doof events, which are reported to have emphasised a slightly slower, more bass-heavy aesthetic than the Melbourne psytrance mainstream, and a more domestic, shed-adjacent event format than the large outdoor Victoria events. Whether this constitutes a genuine regional variant or simply reflects the small scale of the early Perth scene is contested.[citation needed]
The archive has received two separate community submissions claiming to document the Fremantle variant in detail. Both submissions were from the same person, who declined to be named. The archive is working on this.[1]
Documented events
The archive holds partial documentation for doof events in the Perth hills, the Swan Valley, and the Darling Scarp from approximately 1995 onward. The documentation is insufficient to construct a continuous narrative and is presented here only as confirmation that a doof scene existed in WA from the mid-1990s. Full documentation remains outstanding.[2]
The WA festival scene (Boutique Period)
During the Boutique Period, Western Australia developed a substantial doof festival circuit, centred on events in the Perth hills, the Southwest, and the Wheatbelt. Several of these events attracted attendees from across Australia and are considered by community sources to have been among the more creatively adventurous events of the period. The archive is unable to document them adequately at this time.[3]
Notes
- Two submissions from one person: archive internal note. The person knows who they are.
- Partial WA documentation: archive holdings, 2019–2021.
- WA festival scene assessment: community sources. "Creatively adventurous": direct quote, single community source, name withheld.